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Final Examination        Music 104           12/77

	The text book may not be used at any time during the
	examination.  You may refer to your notes for all sections
	of the examination excepting the first one (I).

I. (c.10')  After each composer's name put the numbers referring to
    his works from among the titles listed below.

Honegger			|1. Poeme Electronique
________________________________|2. The Unanswered Question
Berio				|3. Gesang der Junglinge
________________________________|4. 5 Canons, op.16
Hindemith			|5. Verklarte Nacht
________________________________|6. Mode de Valeurs et d'Intensites
Milhaud				|7. War Requiem
________________________________|8. Symphony #5 (Di tre re)
Satie				|9. La Creation du Monde
________________________________|10. Parade
Debussy				|11. Das Marienleben
________________________________|12. Octet for Wind Instruments
Ravel				|13. Jeux d'Eau
________________________________|14. HPSCHD
Stravinsky			|15. Threnody for the Victims of Hiroshima
________________________________|16. La Mer
Varese				|17. Goethe Lieder
________________________________|18. King David
Cage				|19. Wozzeck
________________________________|20. Les Dialogues des Carmelites
Poulenc				|21. Les Choephores
________________________________|22. Socrate
Dallapiccola			|23. 5 Pieces for Orchestra, op.16
________________________________|24. Mathis der Maler
Penderecki			|25. Concerto for Nine Instruments, op.24
________________________________|26. Symphony of Psalms
Ives				|27. Zeitmasse
________________________________|28. Daphnis et Chloe
Britten				|29. Concord Sonata
________________________________|30. Nones
Stockhausen			|31. Peter Grimes
________________________________|32. The Rake's Progress
Messiaen			|33. Trois Pieces en forme de poire
________________________________|34. Erwartung
Schoenberg			|35. Agon
________________________________|
Berg				|
________________________________|
Webern				|
________________________________|




II. (c.30') Compare the use of the tone row in Berg's Lyric Suite
	    and Webern's Quartet with Saxophone, op.22.


III. (c.30') Stravinsky said, "My use of form during the twenties was
	     overt, however, and that of Schoenberg, Berg and Webern was
	     elaborately disguised."

	     Explain what he meant.



IV. (c.40')  Three printed examples.

	     For each excerpt list the main stylistic features observed.
	     Based on your list give an approximate date for each work
	     and a possible composer.



V. (c.15') Define each of the following:

	1. Polytonality
	2. Semi-combinatorial
	3. Aleatoric
	4. Musique concrete
	5. Tetrad, triad, dyad
	6. Octotonic scale
	7. Pentatonic parallelism